Cherry Blossom, Part 1
Written by Rosemary Trietsch
The longer I live, the more strongly I believe that our lives are not random, that there is some force guiding our destinies, and that if something is meant to happen, it will. This month’s article is proof. Back in February, I was talking with someone about possible subjects for my next column. He suggested that Cherry Blossom would be in keeping with the season, as it would be published just as spring begins. I quickly said, “No, I can’t write about Cherry Blossom. I haven’t handled nearly enough of it to know the real from the fake.” One week later, someone called with a collection of pink Cherry Blossom for sale.
Now this did strike me as some coincidence, but I
didn’t feel I could do justice to a Cherry Blossom article. Three days after
the first bunch arrived, I got another call from someone else who had some glass
for sale. This time it was green Cherry Blossom. Still, I resisted. The day the
green set arrived, I got another call. This time, the set (you KNOW what pattern
it was) included delphite, children’s pieces, and even a box of reproduction
pieces. Four weeks and 318 pieces
of Cherry Blossom later, my fate was sealed. And so I write this month’s
column surrounded by Cherry Blossom in it’s many shapes and colors. I feel
like I’m inside a prism that’s catching the sunlight and making rainbows all
around. All in all, not a bad place to be…
Cherry Blossom was made by the Jeannette Glass Company from 1930 to 1939. It was primarily produced in pink and green, with Delphite added in 1936. Additionally, a few pieces have been found in jadite, crystal, red, yellow, and orange slag. There have even been some amber child’s pieces found. These odd color pieces are probably the result of having a bit of leftover glass at the end of the day. Rather than waste it, the workers used it to produce a limited run of something or other. If there were enough of them, these pieces could be used as premiums or to fill promotional orders the company might get. More often than not, however, the workers took them home and used them. This is also true of experimental pieces that never went into full production, and explains why rare items in Depression glass are almost always discovered within walking distance of the factory.
Cherry Blossom has more than its share of these
experimental and hard to find pieces. While
the 10-½ inch round tray is relatively easy to find, this same tray has turned
up as a 5 part divided relish (4 compartments around a circular center).
Weatherman documented the first one found in 1976 and said that it was
“obtained originally from and ex-employee of Jeanette, who said the dish was
an experiment.” A pink cookie jar with a high domed lid was first discovered
in 1978, but has proved scarce enough to not be included in the general price
lists. The most famous (or perhaps infamous is a better word) of the Cherry
Blossom rarities is the salt and pepper shaker set. Only 2 pairs of pink shakers
and approximately 12 green sets have been found and verified as originals.
The 6 ¾ inch pitcher, 9 inch grill plate, and 3 footed fruit bowl have all been found in jadite. These pieces date to 1932 when Jeanette first introduced that color for their kitchenware lines. The large berry bowl has been found in yellow and an orange slag with green trim. The problem with using opaque glass for Cherry Blossom pieces is that the pattern doesn’t show unless you turn the plate or bowl over. Collectors of Delphite Cherry Blossom are all too familiar with this problem. Still, there’s enough Delphite pieces available to make a basic service and as the pattern is on the outside of many of them, it’s lovely on the table.
A 9-inch oval platter lurks among the hard to find
pieces of Cherry Blossom. This platter measures 9 inches from outside edge to
outside edge. Don’t confuse it with the 11-inch platter, which measures 9
inches from the inside rim or you’ll end up paying about $900 too much for a
relatively easy to find piece. (IS there such a thing as an ‘easy to find
piece’?) Mugs in perfect condition are also a challenge to find as most of
them have a crack where the handle meets the side. This is probably the result
of poor mold design, but is definitely a pain in the neck for collectors. Flat
iced tea tumblers, soup and cereal bowls, and 10-inch grill plates round out the
“Pieces Most Likely to be Missing from Your Collection” list. Large serving
pieces aren’t easy to come up with either, but as most people only need one or
two platters –as opposed to 12 tumblers or bowls – you will find them
around. They don’t come cheap, though.
When it comes to Cherry Blossom, confusion is the norm. During the nine years it was produced, worn molds were replaced with others that varied from the originals. The foot was originally round on the tumblers, sherbet, and 6 ¾ inch pitcher. Later molds were made with a scalloped or indented foot that echoes the rim of the bowls and plates. This is not a sure way to date your footed pieces, though, as not all of the molds were replaced so both round and scallop footed pieces were produced at the same time. In addition, the 4-½ inch footed tumbler with the round foot holds 9 oz, while the scallop footed tumbler of the same height only holds 8 oz. Another variation on the foot comes with the pattern impressed in the bottom. Some pieces have 3 clusters of cherries arranged in a sort of pinwheel design. Others have a horizontal branch with cherries and leaves. I have in front of me 4 sherbets: 1 scalloped and 1 round foot with the branch design, and 1 scalloped and 1 round with the pinwheel cherry design. (Incidentally, each of the three collections I bought had both style sherbets mixed together.)
If you order your Cherry Blossom through the mail or
Internet, you’ll have to specify your preference for round or scalloped foot.
In addition, you’ll have to decipher a few abbreviations that you always find
in Cherry Blossom listings. AOP means “All Over Pattern” and refers to the
footed tumblers and 6 ¾ inch pitcher. PAT means “Pattern At the Top” and
refers to the flat tumblers and pitcher, and also to the 8 inch footed pitcher.
Lastly, IRR, which stands for “Inner Rim Roughness”, is an abbreviation that
applies to many Depression glass patterns. Cherry Blossom bowls and platters
have a rim around the edge and the inner part of this rim does suffer as a
result of years of being stacked and restacked from use. When you’re checking
the condition of pieces of Cherry Blossom, don’t forget this inner edge. If a
little wear bothers you, Cherry Blossom will drive you crazy.
Cherry Blossom remains one of the most popular and
heavily collected Depression glass patterns of all time. Its popularity however,
has also caused it to be the most reproduced Depression glass pattern of all
time. Importers looking to capitalize on Cherry Blossom’s popularity have
brought in fake shakers, butter dishes and children’s pieces, just to name a
few pieces from the list. (Of course they reproduced the expensive and desirable
pieces first. After all, why counterfeit a $1.00 bill when you can make a
$100.00?) Can you tell the original from the fake? Next month, we’ll continue
our look at Cherry Blossom and I’ll help you figure out what “off set mould
lines”, “canal type leaves”, and “leaves and cherries east/west from
north/south handles” mean in plain English.
Florence, 13th edition
Weatherman, 76 Price